La escritura testimonial en Rodolfo Walsh: politización del arte y experiencia histórica

the works of rodolfo walsh are marked by a strong connection between an aesthetic and a political practice. in this work we propose to engage in the constellation of nonfiction texts written by the author in the 60s and 70s period. these texts pursue a conception of art as bearer of a certain ？danger？ that is anchored to its enormous power to embody an intervention in historical and social reality. we analyze the way in which certain elements relate to each other: the criticism of a sacralization of bourgeois art, the strategies of writing (the montage), and the will to contribute to the reconstruction of a social memory that explains the historical experience of the working classes (their state of emergency, the political violence).